"Where The Girls Are" (SpoutBlog - suggested subtitle: "How
Aeon Flux gave us Jamie King and Rose McGowan")
There was nothing like an old-school Gale Hurd production at this year’s Comic-Con. As far as I’m concerned, the fact that Hurd has not produced a female-fronted film since 2005’s box office disaster Aeon Flux (which Hurd insisted over the weekend she is “still very proud of) is directly related to the rise of a kind of starlet like King in these kinds of films. The respective talents and accomplishments of these two women are simply not compatible with each other. What we’re seeing is the ghettoization of the female action star to below-the-title, near-disposable status.
...The idea of making a film where women actually look sexy, fight crime and are given the agency of real human beings isn’t even on the minds of those filmmakers who have done it before. At his Terminator press conference, McG recalled that his first film, Charlie’s Angels, was about “breaking down the glass ceiling” to prove that women could front a successful action film. “But I’m a different filmmaker now.” Because that mission was accomplished, or because your incompetent sequel convinced all around that there was no future in it?
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